My 3rd single “BAD DREAM” is fully funded and set to release on Tuesday, June 10th! I wrote this song in December after hearing a lot of people talk about how crazy the last 5 years have been. Global pandemics, nationwide riots, gender confusion, assassination attempts on live television. If you had told me 5 …
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Geoff discusses the creation of the controversial “HIGH HORSE” and the story behind the song. Support the music Venmo @geoffdesiato www.buymeacoffee.com/geoffdesiatomusic www.facebook.com/geoffdesiatomusic www.instagram.com/geoffdesiato www.x.com/geoffdesiato www.tiktok.com/@geoffdesiatomusic www.youtube.com/@geoffdesiatomusic
“HIGH HORSE,” the brand-new single from Geoff Desiato is now available worldwide on all music streaming platforms. This song is an open letter to celebrity pastors, professional “Christians,” the Evangelical Elite. Rather than speak truth to power and stand in the gap to stem the tide of wickedness in our culture, they have decided to …
Thanks to my supporters, my next single is fully funded and will be releasing on Monday, May 12th! “HIGH HORSE” is the song that sets the tone for my solo career and is an open letter to #BigEva, a term used to describe the professional evangelical class. These celebrity pastors happily receive accolades and attaboys …
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Geoff discusses the journey from his former musical endeavors to the creation of “REBORN” and the story behind the song. Support the music Venmo @geoffdesiato www.buymeacoffee.com/geoffdesiatomusic www.facebook.com/geoffdesiatomusic www.instagram.com/geoffdesiato www.x.com/geoffdesiato www.tiktok.com/@geoffdesiatomusic www.youtube.com/@geoffdesiatomusic
“REBORN,” the brand-new single from Geoff Desiato is now available worldwide on all music streaming platforms. Support the music on Venmo @geoffdesiato or on Buy Me A Coffee
I am recording and producing my new music with the help of my dad and brother, but we’ve decided to hire a professional audio engineer to mix and master the recordings, which costs approximately $250-300 per song. Since this is a labor of love, I am hopeful for your support to help me meet my …
In this episode, the family visits my dad in Florida, and I begin rehearsals for NOAH 2025 at Sight & Sound, all while preparing to release my first single in 11 years. This is the final episode of the Geoff Desiato show as it’s been known. Thank you to everyone who has followed along on …
After an 11-year hiatus, Geoff Desiato returns with a brand-new single! “REBORN” releases Monday, April 21st, 2025 on all streaming platforms.
In this episode, Geoff gets a new car, a new part-time job, finds out casting for Sight & Sound’s 2025 season, and casts his vote in the election.
In this episode, Geoff recaps the entire summer including my annual Sight & Sound audition, and our family trips to Myrtle Beach and New England. He also discusses new projects on the horizon: new music and a starting a bible study.
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Geoff discusses the SummerSlam card and makes his predictions. This episode was recorded prior to the Go-Home edition of Smackdown so any last-minute developments will not be reflected.
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Geoff discusses the last two weeks of WWE programming and gives his predictions for Money in the Bank.
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Geoff discusses the go-home Smackdown, the Clash at the Castle PLE, and the fallout on the following RAW, including the return of Seth Rollins and the debut of the Wyatt Sicks.
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Geoff shares his predictions on the Clash at the Castle PLE in Scotland.
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Geoff recaps King & Queen of the Ring plus the storylines coming out of Smackdown & Raw.
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Geoff speculates on King & Queen of the Ring results as well as the build to Summerslam while recapping the latest Raw & Smackdown.
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In this episode, Geoff discusses a possible name change, the King & Queen of the Ring Qualifying Tournament, and recaps Raw and Smackdown.
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In this episode, Geoff recaps Smackdown and Raw, Backlash France, and shares his thoughts on the King & Queen of the Ring build.
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In this episode, I recap the last two Monday Night Raws as well as the last Smackdown, including the full WWE Draft. I also discuss the need to change our expectations for weekly programming now that we are in an era of full-blown long-term storytelling.